Kari and Maureen

Canadian actress. Born 25 March 1970. Matchett is originally born in Spalding in Saskatchewan, started her career in theatre when she moved to Ontario. The late nineties were when Matchett started her acting career in Canadian Television. Then she went to the United States where she starred in The Secrets of Nero Wolfe Invasion: 24 Hours at Studio 60 and Ambulance Earth. In the series, she played Last Conflict. The year 2001 was the time she was awarded an Gemini Award by the Canadian television series The Department of Wet Cases for her part. She has also portrayed the wife of one of the main characters of Impact for a number of seasons. She's been playing Joan Campbell since 2010 in the TV show Covert Operations. On the big screen, she starred in the 2002 Canadian film Cube 2. Hypercube, and was also in Angel Eyes, Boys with Broomsticks and The Tree of Life . Divorced. Her first child was a son, known as Jude Lyon Matchett was born in June 2013. Maureen O'hara..........................From her first appearances on the stage and screen Maureen O'Hara (b. She commanded the attention of audiences with her radiant red hair, striking beauty and intense performances. The audience was captivated by her captivating confidence and a powerful presence. Whether she was being saved from the Gallows (The Hunchback of Notre Dame in 1939) or falling in love with Walter Pidgeon under a coal blackened scene at the beginning of 1941 (How Green Was My Valley), or learning to believe miracles alongside Natalie Wood (Miracle on 34th Street in 1947). Maureen O'Hara is the first full-length book about the screen icon dubbed the queen of Technicolor. Aubrey Malone uses new information obtained from Irish Film Institute notes on the productions, as well as information from old films, film journals, and fan magazines to trace the star through her growing up years in Dublin and attains the peak of her fame in Hollywood. Malone analyzes the role of actresses with her frequent collaborator John Wayne as well as the relationship she had with John Ford. Malone addresses the question of whether or not O'Hara was antifeminist or feminist. O'Hara was a film icon from the golden age of cinema, yet her preference for privateness as well as her habit of making comments in public which were in opposition to her own personal decisions has left her in the shadows. This is the first biography that reveals the woman who was that was the real woman behind her larger than life image The book dispels misconceptions and provides a balanced review of one of the most popular stars of the cinema.